Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Hyacinthe Rigaud
Count Philipp Ludwing Wenzel of Sinzendorf

ID: 39738

Hyacinthe Rigaud Count Philipp Ludwing Wenzel of Sinzendorf
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Hyacinthe Rigaud Count Philipp Ludwing Wenzel of Sinzendorf


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Hyacinthe Rigaud

1659-1743 French Hyacinthe Rigaud Gallery He was born Jacint Rigau i Ros [1] -- though in many encyclopaedias is "re-christened" with the name of H??acint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau -- in Perpignan, which became French (Treaty of the Pyrenees) a short time after his birth (November 7, 1659). In 1682, he was awarded the Prix de Rome. He was the most important portrait painter in the reign of King Louis XIV. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him. Because Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Rigaud was a master of the Baroque style of art. Rigaud's best-known work is his 1701 painting of Louis XIV which today hangs in the Louvre in Paris, as well as the second copy also requested by Louis XIV which is now at Versailles. In 1709 he was made a noble by his hometown of Perpignan. In 1727 he was made a knight of the Order of Saint Michael. Hyacinthe Rigaud died in Paris, France on December 27, 1743.  Related Paintings of Hyacinthe Rigaud :. | Archbishop of Cambrai | Portrait de Claude de Saint-Simon (1695-1760), eveque de Metz | eveque de Metz | Portrait of Marie-Madeleine Mazade | Le cardinal de Bouillon |
Related Artists:
Manohar
ca.mid-1560s-1620
PROVOST, Jan
Flemish Northern Renaissance Painter, 1465-1529
KAUFFMANN, Angelica
Swiss Neoclassical Painter, 1741-1807 Swiss-born Italian painter. She began studying art in Italy as a child, showing great precocity, and in 1766 her friend Joshua Reynolds took her to London. There she became known for her decorative work with architects such as Robert Adam. Her pastoral compositions incorporate delicate and graceful depictions of gods and goddesses; though her paintings are Rococo in tone and approach, her figures are Neoclassical (see Classicism and Neoclassicism). Her portraits of female sitters are among her finest works.






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